I’m a photographer for whom darkroom and dim-room printing are essential. I enjoy all kinds of photography, but in my own work I value the provenance and feel of a hand-made print, and the small accidents that make each one unrepeatable.

I go back to the same pictures again and again, sometimes years apart. The picture hasn’t changed (much), but I have. Each time I return to it I bring something different, and it gives me something different back. Over the years this has become a kind of conversation, and it is a large part of why I still photograph.