I work across a wide range of photography, but I’m predominantly centred on process-based pictures incorporating dark and dim-room printing. I value the provenance and texture of a hand-made print, and the small accidents that make each one unique.

I often go back to the same pictures again and again, sometimes years apart. The picture hasn’t changed (much), but I have. Each time I return to it I bring something different, and it gives me something different back. Over the years this has become a kind of conversation, and it is a large part of why I still photograph.